to tell you which ones collection and which film are the great.

Although, technically speaking, this is a spin-off or a sequel to the original series, The New Generation is, in many ways, the “real” best star trek movie The series lasted much longer than the previous one (seven seasons) and has never seen before hearings for a series distributed by syndication rather than broadcast by a large national network.

With a budget worthy of the name and with the heart the desire to meet the needs of a large fan base, it is the New Generation that has truly shaped the myth Star Trek. It is also simply one of the best series of this era, with its much deeper characters and its richer world than in the police or medical series that dominated the genre.

The New Generation also shows that in the universe of Star Trek, the future is not only more beautiful than the present, but it also continues to improve over time. There is no Russian on the ship of Jean-Luc Picard, but there is a Klingon-proof of a new spirit of friendship appeared between the Federation and the Empire (which we learn the origins in Star Trek VI ).

The crew also includes a blind man whose vision has been restored thanks to advances in technology, as well as an android officer with feelings and the same rights as humans. The “mission” of the crew has the same pacifist scale as Kirk’s and their behavior is the exact opposite of gunboat diplomacy.

However, there is still a problem: the new ship has been equipped with a holodeck, an entertainment device that often puts the crew at risk and is a particularly dangerous tool when put in the hands of lazy writers. .

In general, Picard and Enterprise-D face problems (Wesley is sentenced to death, Riker is held prisoner on a pre-distorted planet, Troi’s mother comes to visit him, Tasha Yar is forced to a marriage forced …) that could be easily solved with photon torpedoes or by sending a commando, but the crew is still trying to escape without resorting to violence.


And one can hardly imagine that it is otherwise. Take for example the miraculous technology of the replicator (a machine capable of reproducing anything from scratch, if not a bit of rudimentary raw material and energy). When computers and energy can substitute for human production, the supply of energy is democratically controlled by a progressive socialist society such as the Federation, or it falls to a small clique and gives a fascist authoritarianism, such as that of the Klingons, Romulans or Cardassians.

Under these conditions, nothing resembling capitalism as we know it could survive. As Marx wrote in his Critique of the Gotha Program , the material prosperity made possible by technological improvements is the necessary condition for an economic system governed by the principle of ” each according to his means, to each according to his needs “. This is the very principle that the Federation works.

The New Generation was so successful it generated two spin-offs, the action is also situated in the XXIV th  century. best star trek movie Deep Space Nine was launched while The New Generation was still on the air and was geographically located at the extreme limit of the Federation. Star Trek: Voyager arrived a few years later, after the stop of The New Generation , but its diffusion and that of Deep Space Nine overlapped for several years.

In order to avoid the enigmas getting too entangled with those of Deep Space Nine , Voyager’s crew was sent to the other end of the galaxy and, following a space accident, remained stuck in the Delta quadrant, dozens of years of driving home.

The two series differed enormously, both in their tone and in their structure, but especially in terms of quality. On a narrative level, Deep Space Nine is the most ambitious series of the entire Star Trek saga; she even managed to make a good holodeck episode (” It’s just an illusion “).

Traveling , on the other hand, was a somewhat perverse attempt to rediscover the spirit of the original series (lest we have forgotten it), which ultimately had not been a great success. Except that this time, the characters were less interesting.

In addition, both series suffer from being filmed during the teenage period of television series. Today there is a clear border between series centered around a main plot ( Breaking Bad, Game of Thrones ) and those built around unique intrigues ( The Experts ). But things were different in the late 1990s.

Deep Space Nine , like Buffy vs. the Vampires and X-Files , is constantly moving from one main story to one-shots of different aliens each week. This way of doing things is disconcerting for the viewer. The story occupying the ten episodes that conclude the series is the best result that the saga has ever produced.

But it passes after years of television episodes during which the story of the great confrontation between the Federation and the Dominion was regularly interrupted by related stories. Some of these one-shots (especially those in the mirror universe) are fun, but others are absolutely horrendous (Sisko trains his team to beat a team of arrogant Vulcans in baseball), or even just weird ( Sisko fights against racism in the science fiction sector of the 1950s).

Instead of taking for himself the most promising elements of the ambitious plot of Deep Space Nine , Voyager is moving away. Its location in the Delta quadrant allowed scriptwriters to invent new breeds of aliens. Even better: the Borgs (evil favorites of best star trek movie fans, too rarely mentioned in the series) living in the Delta quadrant, they could appear at any time. Unfortunately, the scenario was more of the “alien week” type.

Over the course of seven seasons, the ship never gave the impression of advancing. In the penultimate episode , the crew is still a dozen years away from home (he will finally be saved in the last episode by a deus ex machina ). The fact that these last two episodes are rather good highlights the big problem of the series: a little better thought, it could have been excellent.

Deep Space Nine , on the other hand, is related to one of the ramifications of the plot of The New Generation : the Bajor planet finds itself under the brutal occupation of the cardassian militarist empire, which is at the same time involved in a conflict with the Federation. Just before  Deep Space Nine began, the Federation and Cardassia reached a peace deal that included the liberation of Bajor, but in return, the Federation agreed to cede some of its colonies to the Cardassians.

The series takes place on a station of the Federation orbiting the planet, which has just regained its independence, with 1) hostile Cardassians and 2) a group of rebels from the former territories of the Federation, who refuse to see their houses fall into the hands of the enemy. Worse, the orbital station appears to be located at the entrance of a spatio-temporal tunnel that leads to the distant Gamma quadrant and which ultimately serves as an entry point for metamorphous invaders.

Because of this premise (and also because one of the main thinking heads behind this story, Ronald Moore, continued with the Battlestar Galactica reboot  ), Deep Space Nine is often considered to be the “dark” part of best star trek movie. In addition, many fans accuse Voyager’s Captain Janeway of being a silly idealist. Yet progressive optimism is a theme common to both series.

In  Deep Space Nine , the alliance of Bajoran collaborators and resistance fighters is a major theme, as is compassion for Cardassian civilians. The importance of preserving civil liberties even in the face of real threats to security is also central to the plot. War devastates many planets, but ultimately serves as an engine for social progress, leading to reforms in the Cardassian and Klingon Empires.

In a two-part episode on the sidelines of the main storyline, Sisko and two crew members return to the Earth at the beginning of the twenty-first century, where they help the people revolt against the complacency of the powerful towards poverty. . Even the Ferengi eventually win the cause and begin to establish gender equality and the welfare state. Social and political issues were generally larger and more explicit in Deep Space Nine than in the Enterprise series , but there is still optimism.

In his best moments, Voyager also took up the essential values of best star trek movie even if the series was disabled from the outset by poorly designed characters. The choice of Katherine Janeway (played by Kate Mulgrew), a captain of quiet professionalism and moral rectitude, was a stance, since it was the first time a woman was seen leading a crew. .

The latter is also the most varied of all the best star trek movie saga. It’s just a shame that the authors forgot to make the characters interesting. B’Elanna Torres more or less reduces the Klingon temperament to a simple bad character and Tuvok reduces the logic of the Vulcans to a kind of condescending sarcasm. At first insignificant, the first officer Chakotay then becomes a sort of bland stereotype of Native American who, on occasion, has visions that allow him to solve his problems (note that there are no more Christians, neither Muslims nor Jews in the future, but that Amerindian culture seems strangely frozen in amber). Harry Kim, finally, is perhaps the least interesting character of all the franchise.

Over time, the series improves considerably. The boring characters are put aside. The emergency medical hologram is taking an increasingly important place. Seven characters from Deep Space Nine join the cast.

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